Carl Stanley Interviews Svengali's Jonathan Owen.

Just as music artists today are learning to create, self fund and release their material via the internet, so are TV and filmakers. One such person who has grasped this medium is Jonathan Owen who co-wrote, co-produced and starred in the excellent 'Svengali' series that was released via Youtube, Myspace and iTunes.

I suggest you all get on this if you haven't already because if you can get past Alan McGee's shocking headwear you'll find one of the wittiest and well written comedies of the past few years. 

Carl Stanley one of the sharpest writers around today interviewed Jonathan Owen recently and re-produced below is that interview in full.....

What's the score with you then Jonathan, how did you get the part of Dixie in "Svengali", what have we seen you in before...?

Well I co-created it with Dean Cavanagh one rainy night in Soho. We were in a bar chatting and Dean said we should do something about a Manager of a band. And I christened him Dixie (after the manager of my old band) who was a great guy...still is! and we decided it should be one man's journey in trying to get his band signed in the murky world of the Music business...which is currently in a complete state of flux as the internet destroys the traditional industry. The irony of course being that we are using this very medium to go out!! ha.

I've done a few things. Films like Little White Lies (Which is currently winning the Amazon International Film Competition) and 'A bit of Tom Jones' (That's the biggest grossing Welsh Indie Film ever and recently won the Welsh Bafta for best film). I was the lead in those..I've also done lots of TV from My Family to Being Human to Torchwood. I'm most well known though from 'Shameless' and I recently finished filming opposite Minnie Driver in 'Hunky Dory'.

What's the story behind "Svengali", there's some great names in their but who wrote it and put together, is the idea based on actual person, if so who...?

As I explained earlier it was Dean Cavanagh and myself. Dean is Irvine Welsh's writing partner. We also got our old mate and the Director Phil John on board. He'd done Ashes to Ashes and Wedding Belles among others so it was a good team. It's loosely based on Paul 'Dixie' Dixon, the old manager of my band 'The Pocket Devils'. A beautiful spirit who just never took no for an answer and was permanently positive. There ain't many people like that in the world so we thought it would be ripe for that kind of person in the Music World only this time we can make it want we want. That's the magic of Svengali..is we control it! ha. We can make them the biggest band in the world. 

You have just finished series 9 and I for one am looking forward to it,..who's in this series..?

I got Eddie Webber from 'The Firm'..Paul Gallgher, James Endecott, Lena Corner, Jamie Fullerton and Tim Lovejoy. It's all based on a true story...supplied again by the real Dixie. It's an hilarious ending and I wanted a real 'Cockney Villain' type and there's no one better than Eddie for that..he's the best out there. It all takes place in Acid Jazz offices with the wonderful and ever young Eddie Piller looking after us all. 

The story of Dixie, This Welsh boy from the valleys who goes to the big smoke looking for his fame and glory in the music industry is one that is played out on a daily basis in the Capital,...I suspect many in the industry identify with it, have you in real life been through the same situations as Dixie has, do you identify with the character....?

I do..it's an age old story isn't it. The modern day Dick Whittington. Even a touch of the Don Quixote in there too. I think it's fair to say that London is still the Worlds Capital of Rock and Roll. The 'set' is London itself...very much like LA is the set for Entourage. So I've been keen to use the streets of Soho and Shoreditch so that kids across the world can see London. The thing with Dixie is that he kind of kills them with kindness. Naturally, Svengali has been the most popular among the Music Industry..I dont think there's anyone from that world who hasnt mentioned it to me and they all love him, because we were all that guy who just was in it for the love of music once. He's that kid we all once were who would tape John Peel or the chart show or queue up for the NME...And god bless him for it too..

How has "Svengali", the series,.. been so successful in getting the likes of, Carl Baret, Boy George, and of course Alan Mcgee involved, was this a case of these people loving the project and wanting to be involved, plus its all filmed round the west end so its not like you have had to drag them to some mad location, I suppose that helps...?

I just asked them all to be honest and ever since we've had a 100% hit rate. Which is important..I didnt just want anyone, they had to be right. Some have actually approached us and that's great. Boy George for example was taking some photo's for a Charity, and they asked me and he was talking about Svengali and I just said...'Would you like to be in it George?' and he laughed and went...'I thought you'd never ask!' haha..He was great on set too. I'd never been with anyone of that level of fame too. Martin Freeman (who filmed that Episode and has become a close mate was on about it too)...George is so ridiculously recognisable...probably one of the most recognisable people on the planet and even in London literally EVERYONE stopped and shook his hand or gave him a kiss. This was while we were having a ciggie outside 'Fopp' in Cambridge Circus. And he'd be talking and practically every person either shouted hello or asked for a photo..and he took it all in his stride. And I thought after, he's been that famous for decades now. And it must be just like breathing, the way you react to people on the street. He was brilliant I have to say.

 I'm also guessing the out takes are quite funny, what's it like when Maggot or Bonehead struggle remembering their lines, was there plenty of "Tom foolery" going on..and which artist surprised you with there acting talents,..Alan Mcgee seemed really comfortable delivering his lines, has "Svengali" given any of them the wanting for more of the screen....?

Well it's very difficult to get those kinds of people to learn lines!! haha...so I just tell them there's going to be a certain situation (Like I'll try and give you a tape) and then I'll act off them. Some it is improvised, and I'm a huge fan of Curb so you've got to be on your toes and there's lots of takes. The best stuff is usually off the cuff although Dean does a great basic script. All of Ep 3 for instance is improved, where a Ep 1 is all script. So we can move it around how we want. The latest is about half and half. Broadcasters are obviously scared of this kind of work as they like it rehearsed to death (often over rehearsed) but the actors absolutely love it, I think because it's so different to what they usually do. Alan McGee is a joy to work with. The blokes a born natural. He's better than most actors I work with.

Plus names like Martin freeman, it must of been great to work with such actors...?

Martin Freeman is one of the coolest people I've ever got to know. His music and fashion sense it perfect and I was very very keen to get him involved. I was lucky enough to have a good mutual friend (Paolo Hewitt) and he got him the series and he loved it. We met in Wagamamma's in Soho and spoke for hours about music, film and fashion, it was pretty obvious we were kindred spirits in that world and of a similar age. I was delighted when he said he wanted to do it as I was a massive fan and he was great to have on set. He's also fiercely intelligent and really brought that to the part. I was delighted he got the Jackson film. Other actors like Matt Berry, Michelle Gomez and Ciaran Griffiths are close friends and I just asked them if they'd like to do it and they all said they'd love too. It was about creating a Svengali family really. Sally Phillips was another. Just great fun to have around and brought so much to the part. It's been my favourite thing about it all, seeing great actors really take on the part. Matt, South African, Ciaran Mancunian Jew and Michelle as the company boss. I also have to remember my co-star Roger Evans as Horsey, without whom there would be no Svengali, he's that important and many people's favourite character.



 I have to ask, since "Svengali" have you been hounded by any "Dixie's" looking to break into the industry, you do realise you will now be seen as the patron saint of " Industry lost causes" yet Dixie's grit and blind faith is quite commendable, Mcgee actually says in the last series about Dixie " He's relentless, I reckon he'll make it", and though it was in jest there are a lot of positives about Dixie's character, wouldn't you say...?

Haha! Well.........the honest answer is yes. Lots of people email, send tapes and often say...I'll keep nagging like Dixie...what can I say to that? In Soho especially people often shout 'Alright Dix?' which is quite funny. I think it's pretty big among the 'meejha!' as they say. I try to listen to everything people send and I reply to actors, photographers, bands all the people who get in touch. I wish I could employ them all!! But I cant alas...Otherwise I'd be like Beatles Apple..;)

So what little ditties have you got from filming "Svengali", what about trying to film as I can imagine plenty of by standers in the West End doing a "Dixie" half way through a scene to ask for an autograph while you were trying to film, what's the funniest thing that happened on set, off camera that is..?

There's a huge group on Facebook who are pretty fanatical. We do little comps offering the bag he carries and the t-shirt and stuff. We got lots coming along to shoots so it becomes like Theatre really. I also INSIST there's beer on set and a major party afterwards. I mean we're doing something about Rock and Roll so the least we can do is try. It tends to be a bit boisterous but that's the point isn't it? Svengali is meant to be something new and different, a child of a new medium 'the Internet'. So we're basically making this up as we go along..which is great but it means that sometimes you're thinking 'fuck me, we'd better strap ourselves in here' when we're filming in the street without any permission and with people flying around. But do you know what? I'll be old one day and I wont have the guts or energy to do it, so while I'm still young enough I'll take the chance.

Funny story? Yes, we were filming a scene with Boy George and Martin Freeman in Fopp and the store was open (we couldn't afford to ask them to shut it) and this guy goes..'Do you mind!! I'm trying to get to the Jazz section..so we had to wait while he picked his way through Miles Davies'...me, Martin Freeman and Boy George all standing there waiting for this grumpy fuckin Nick Hornby lookalike to finish browsing....wouldn't get that on anything else I can tell ya!! Ha.


Where next after this series for "Svengali", and what's next for your self, will we be seeing more of you now in new projects..?

I'm doing a Rachel Trezise play in Cardiff that starts next week..and then there'll be Svengali the movie...watch this space..;) 

 http://www.facebook.com/svengalipage

http://www.myspace.com/svengalinumberone

http://www.myspace.com/video/vid/54048513

Interview reproduced by Kind Permission of Carl Stanley 21/01/2011

Rob H

Modernism: A New Decade?

mod·ern·ism -

a. Modern thought, character, or practice.
b. Sympathy with or conformity to modern ideas, practices, or standards

'often Modernism The deliberate departure from tradition and the use of innovative forms of expression that distinguish many styles in the arts and literature of the 20th century.'


'Modernism. Clean living under difficult circumstances.' - The oft chanted mantra repeated monotonously by your friendly local Austin Powers lookalike as he minces down the street with his feather cut and winkle pickers looking like an overblown extra from Blow Up.

Yeah baby!

Well no actually. Let me explain.

'Mod' has always been a strange paradox to me. For a 'scene' (Jesus i hate that term) that likes to think of itself as cutting edge and forward looking it has always struck me as being firmly rooted in the past for it's inspirations and culture. From it's 'look', to its music, to it's heroes and icons and more or less its whole ethos.

Maybe it's time the movement took a look at itself in 2011 and decides where it goes from here.

Of course back in the late 50's into the mid 60's working class kids using their new found money to seek out the latest jazz and R&B records or hunting down the sharpest threads was quite obviously a new, forward looking phenomenon. It was continuously evolving and outsiders looked in on these kids with suspicion and probably no little fear because much of what made this movement tick was brand new to a lot of eyes. These newly unleashed teenagers living for cheap thrills on amphetamines whilst riding around on Italian scooters must have been a hell of a shock for the establishment to deal with in what was a pretty grey and drab post war Britain. These kids had money to burn and burn it they did and from it a proper working class cult was born.

Skip forward 50 years and where does 'Mod' find itself today? Well in essence no further evolved than it was during it's heyday or it's underrated revival in the late 70s - where incidentally the music was as sharp as anything that had preceded it back in the 60s - and that to me is a shame. The 'look' has barely moved on, with the classic parka / Fred Perry / desert boot / 501 / feather cut / sideburns / RayBan's being sported up and down the high streets and clubs the length and breadth of Britain. Yes, it's a completely 100% bonafide classic look (which even i thieve parts from like a greedy magpie) but it begs the question that if you have to look back fifty years for inspiration does it make you a 'mod' in the truest sense of the term? Surely for a 'scene' to be sharp and revolutionary and cutting edge it has to keep evolving, but as i see it 'mod' is firmly stuck in the past. "Oh no no no no! If you're a mod you can't listen to dubstep or house music! You have to listen to Green Onions or Itchycoo Park on repeat to be considered one of us!" Progressive, inclusive and evolving? Can't see it myself.

It's still a marketing mans dream though. Take Liam Gallagher and his Pretty Green label for instance. Nice looking clobber, very smart actually, but are Tootal style silk scarves (£95 by the way), a Clarke's desert boot copy (£90 by the way) and velvet pea coats (£480 by the way) 'mod'? Because that's the target demographic the range is aimed at surely? Would anyone call Liam a mod too? If it earned the fella a few extra quid then I'm pretty sure there's a team of executives and advisers alongside 'Team Liam' who are more than happy for him to be branded a mod because he's reinvented a fifty year old fashion and nabbed himself a Carnaby Street boutique. I remember going to Oasis gigs when i was younger and Liam looked cool as fuck in his Stone Island, Chipie and Gazelles and not a sign of wanting to look like the bastard offspring of Paul Weller and Long John Baldry. Yet have you ever heard him profess his love for Northern Soul, Reggae, Ska, Stax, Chess, Motown, Bluenote, Steve McQueen, Alfie, John Coltrane, American Preppy fashion, The Small Faces, The Yardbirds, Secret Affair, The Chords, Squire or a million and one other mod icons in any of his interviews? No. He likes The Beatles though. Which is nice.

Notable exceptions to the rule are the likes of Eddie Piller, Paul Weller, John Hellier, Keb Darge etc who always seem to be doing something fresh and exciting. Yes they keep a foot firmly planted in the past but have never been scared to innovate and try new things that would be seen as being outside the spectrum of being a mod. Try getting your local Austin Powers lookalike to listen to some Krautrock or Chicago House and see the reaction you get.

And now for the controversial bit....

Football casuals are the new mods. There I've said it.

A massive movement of people all bonded by a common love of football, fashion and music. They have and will always be on a constant quest for the sharpest and newest labels that they can sport on the terraces. It's a constant battle for one-upmanship over their peers. You turn up one week wearing a rare Fjall Raven jacket you can guarantee your mate will arrive the following week wearing the newest MA Strum coat to try and blow you out of the water. Yes, like the mod movement it has it's classic staple items like the Adidas trainer, the Stone Island patch, the Lacoste polo or the Aquascutum scarf but it also has strange stuff like Ellesse bodywarmers, deerstalker hats and waxed Barbour jackets.

Also the music is from a far broader palette. Soul, reggae, funk, mod revival, punk, new wave, pop, indie, two-tone, acid jazz and house music are all linked directly or indirectly to the casual movement. Instead of hunting down old 60s vinyl to reminisce over there are lads out there who actively seek out the latest, most cutting edge house records, which i find very impressive.

And.......they still manage to keep the Old Bill on their toes.

I never meant this article to be a hatchet job on a movement i hold very dear to my heart. I will always love the music and the look just as i always will the skinhead movement or the casual movement which i see as natural extensions of mod anyway. I just wanted to highlight that somewhere along the line 'mod' became corrupted by copyists, marketing men and Luddites and that putting a man in a Fred Perry and a pair of bowling shoes does not make him a mod.

Anyway, we all know that the 'Emo' is the only true youth cult out there today.

As ever Keep The Faith and massive respect to all those who still live the life they love.


Rob H

Things i've learnt this year.

• Tuborg Lager served at outdoor gigs and festivals is rubbish. It tastes like piss and you will be charged almost four quid for the privilege of drinking it. Gaymers cider is almost as bad but at least has some semblance of flavour about it.

• Paul Weller has still got 'it', whatever 'it' is.

• A coalition government in this country will never work. Not while the 'them and us' status-quo is perpetuated.
  

• My life will NOT be any more complete with an iPad in it. It will not make me happier and it will not simplify things for me. It will however leave me £600 out of pocket for the dubious honour of being able to show off to my friends that I'm an Apple 'fan boy'. Although the wife and i have just ordered iPhones in a moment of weakness.
  

• Edgar Wright is the greatest living film director bar none.
  

• The 'organisation' that you work for care no more about you than they do for a lump of dog shit stuck to the bottom of their shoe. You are a drone, a number, a peon to them. Once you realise it's best to not bother offering opinions and idea's in your place of work because you'll inevitably be ignored, the better. Things may be different for you if you're willing to lie, cheat, back stab and crawl over your colleagues to further yourself.....but none of us want to be that 'person' do we? Turn up, do your bit, keep your trap shut, never ever walk out of the door at the end of the day carrying any stress with you and draw your wages once a month. There are FAR more important things in life than making money for people who couldn't give a shit about you.

• Some people enjoy the drama and attention of being in a shitty, pox ridden, failing marriage with an abusive partner. No matter what advice you give them they will never listen.

• Married life, if you give a little and take a little, is pretty damn good.

• Chelsea FC will always bring as much pain as joy to it's supporters.

• The Coral are the finest band in the UK today. Closely followed by The Bees, Doves and The Arctic Monkeys. Anyone who doesn't realise this is too 'cool' or 'arch' to understand what you mean.

• Only good can come from the student riots.
  

• Ed Milliband is quite obviously a feckless toad who has 'bum licked' his way into a position of power. He symbolises everything the working classes should hate, yet the dyed in the wool Labour voters seem to like him. Work that one out. Oh and did i mention i can't look at him without thinking of Ray Romano?

• The Alistair Campbell stage managed farewell from Gordon Brown as he walked off into the sunset having washed his hands of thirteen years of running the country into the ground was probably the most nauseating thing witnessed this year.

• Peter Mandelson is still a cunt.
  

• Sky News should never be watched if it's real, unedited, propaganda free news you're searching for. Ditto the BBC.

• My day is now incomplete if i miss the Radio 4 Afternoon Play.

• Barack Obama was the greatest con-trick ever pulled. Impressive really.

• It's okay to say that the wars in Iraq and Afghanistan ARE illegal.

• Gazza will bring you chicken, lager and a fishing rod if you're in the middle of a gun siege with the Police.
  

• The Kings Of Leon are actually a very very good band.

• Facebook CAN be a force for good by connecting us all together, but it is still choc-full of people who can barely string a sentence together, which annoys me more than it probably should.

• Ten minutes after the final Chilean miner was rescued i no longer gave a toss about them.

• I still don't understand the 'vampire' thing.
  

• Giving up smoking was a piece of piss. Anyone who says they can't do it is lying. You don't need patches, gum, injections or tablets that are foisted upon you by greedy, scaremongering pharmaceutical companies, all you need is to show some fortitude and say 'no' when you fancy a smoke. Easy.
  

And on that note, i wish you all a healthy, wealthy and prosperous 2011.

Rob H

Reasons to be cheerful..

War, famine, racism, religious bigotry, terrorism, climate change, national debt, oil spills, corrupt banks, greedy faceless corporations an inept coalition government dragging us back into the late 70's, Simon Cowell, Eastenders....... Yes, we're living in very dark and dangerous times indeed and some people love nothing more than to revel in highlighting these things.

- "oh those greedy bastard bankers and their bonuses being funded by the Rothschild's and their Illuminati cohorts! We're all doomed!!"

- "i say Marjory! Grab the tinfoil hats and head for the garden shed! I've just heard on Sky News that Al Quaeda have been spotted in a Transit Van in Luton!"

- "Damn this snow! How dare the Tories not be able to control the weather! Is this what i pay my council tax for?!"

You know the drill. The kind of whiny scaremongering that after a while just becomes white noise to these ears. It's usually spouted non-stop by a certain type of person who is either too fond of the sound of their own opinions or just lacking any sense of Joie de vivre.

Yes, we know the world can be a very dark place.
Yes, we know there are extremely dubious forces at work.
Yes, we know our leaders in government fail us all the time.

So, knowing all this can you provide any credible solutions as to how we can change things?

No?

Well shut the fuck up then, put the kettle on, plump your cushions and let's celebrate what's actually good about the world in 2010 shall we?

• Music

Music is not dead in this country. Far from it in fact. Okay so the days of kids in bands signing mega deals are long gone, due mainly to record company greed coming home to roost (but that's a different discussion for a different day), but there are scores of sharp-as-fuck kids out there making and distributing their own stuff without having to bow down creatively to an Armani suit wearing paymaster. Bands like The Cornerstones, Sun Of Souls and The Lost Boys, to name but three, are producing mustard songs to ever growing fan bases because they actually care about their craft which is refreshing in this era of throwaway pop nonsense.

Even the more established artists have been knocking them dead this year. Records from Weller, The Coral, Arcade Fire, Carl Barat, Gorrilaz, The Dead Weather, Cee Lo Green, Nero, Plan B, The Black Keys and Laura Marling have all been played to death at Haynes Towers this year.

I still get no bigger buzz than sticking a pile of my favourite tunes on shuffle and spazzing out around the house to them. You should try it, it's good fun.

• Film / TV

I've been to the cinema more times during the past twelve months than probably the past five years combined. I've never been a massive fan of sitting in an uncomfortable seat whilst a gang of teenage girls behind you flick popcorn at your head or play Angry Birds on their iPhone's but that changed with just one film for me this year. 'Scott Pilgrim vs The World' just had to be seen on the big screen to be believed. It looked like no other film I'd ever seen, the soundtrack was ace and it was directed by the sharpest young director in the industry today, Edgar Wright. If you've not seen it i cannot recommend it highly enough. It'll blow your socks clean off. When i walked out of my local Odeon after watching it i said it was the greatest film I'd ever seen. I stand by that pronouncement.

As for TV, the following (in no particular order) have been absolutely top notch this year; Skins, Being Human, True Blood, Later..., Peep Show, Inbetweeners, The IT Crowd, How I Met Your Mother, Big Bang Theory, Charlie Brooker's Screenwipe, Storyville documentaries on Ajax and Barcelona Football Clubs, Muhammed Ali, The Beatles Rocked The Kremlin and Motown and even the final series of Scrubs was still several notches above a hell of a lot of other American comedy.

The jewel in the crown this year though was the Professor Brian Cox series 'Wonders Of The Solar System' which was absolutely breathtaking in terms of visuals and narrative. Truly groundbreaking stuff.

• Sport

It's been a vintage year as far as i'm concerned. My team won the double, we're in the middle of the most exciting Ashes series for years, the Formula One season went down to the last lap and AP McCoy won me a bundle with his first Grand National win.

Sport in general still has the ability to quicken the pulse and make the hairs on the neck tingle.

Football (national and international), Boxing, Formula One racing, Horse Racing, Tour-De-France, Athletics, Rugby, Darts, Cricket, Golf, Tennis.....blimey I'm sure even tiddlywinks manages to take the breath away from certain devotees of the game.

Is there any greater sight than two heavyweight boxers going toe to toe for twelve rounds or two European football heavyweights slugging it out for ninety minutes under the floodlights? The only one i can think of that tops both for me is the sight of the final horse in my Yankee romping across the line at Wolverhampton or Newmarket........but it's been a while since that happened so I'll settle for a balmy night at The Santiago Bernabau.

• People

Amongst a gaggle of complete and utter bastards (yes Mandelson, Blatter, Griffin and Cowell I'm looking at you) a few people stood out as beacons of hope;

Julian Assange
Bradley Manning
Mark Zuckerberg
The Chilean Miners
Haile Gebrselassie
Lionel Messi
Aung San Suu Kyi
Brian Cox
Edgar Wright
Paul Weller
Ozwald Boateng
Banksy
Lady GaGa

Okay so i lied about the last one but you get my drift. Not all hope is lost while the planet contains such excellence. This is just a minuscule list of people who have risen above the day to day drudgery and inspire people to better themselves in different ways. To any young teenage kid who can see no further than the dole or a dead end job i say to them take a look at these people and push yourself. You never know where you might end up.


So there you have it. Is all hope lost? Or do we still have the innate ability to step back from all the turmoil that surrounds us and and actually enjoy life? I'm of the firm belief that some of us still can. If we lose that escape route then what is left for us? I'd rather not dwell on it if I'm being totally honest. I'm happy to sit here, digest the dark stuff that the news throws at me on a daily basis but put that to one side and immerse myself in the things that make me happy. Surround yourselves with loved ones, sing, dance, drink fine wine, eat good food and go about your business with a dirty great smile on your face. You'll feel much better for it, trust me.

In the words of a certain Mr Ferris Bueller Esq...

"Life moves pretty fast. If You don't stop and look around once in a while, you could miss it."


Rob H

The Kids Are Alright.

Students. Don't you just love 'em?

Look at them, running around central London with their witty placards, fresh faces and baggy jeans, keeping the Police on their toes and making them earn their wages for once. Fair play to them for at least making an effort i say. It's been a long time since we've had proper sustained protesting on this scale in this country and it's impressive that they seem to have shattered the myth of the stereotypical slacker teenager who only cares about his or hers next spliff or game of Call Of Duty on the Xbox.

But are they doing it right? Because lets face it, rioting isn't what it used to be.

I have vague childhood recollections of the riots of the late 70's and early 80's. I seem to recall long hot summers where Brixton, Southall, Toxteth & Handsworth all went up in smoke fuelled by working class anger at a government that had left the poorest people on the poorest estates to rot and fester. These riots seemed to go on for days, with images of burning cars and shops or injured coppers being stretchered away on makeshift stretchers being bombarded into our front rooms, it seemed like this was history in the making and things would never be quite the same again. We even had the soundtrack to these riots with the likes of The Specials ,The Clash and The Jam all topping the charts while the inner city sink estates tore themselves apart. Even though much of it was race related it was enough to make even the mildest mannered working class Joe Bloggs want to chuck a Molotov cocktail at a line of riot coppers. Yep, lets face it kids, rioting used to be fun! Maybe that's why the usual suspects of a certain age from the S.W.P and the Anti Fash brigade have been spotted in the thick of the action whipping things up every week, these boys used to love nothing more than a good old fashioned tear up when the National Front marched through their towns.

And it's that self same working class spirit of dissatisfaction that appears to be missing from this current round of riots or 'direct action' as the media would rather label it. A good gauge of things such as this is my old man. After the first round of protests at Millbank he was all for them causing the Old Bill as much grief as possible. After last weeks pictures he had changed his viewpoint and was of the opinion that they should "fuck off back home to their Surrey mansions". Watching it myself as a complete outsider (University education? Moi? Pfffft) i feel myself lacking any lasting empathy for them because (and forgive me for over simplifying things here) it would appear on the face of it to be a very middle class protest and the last thing it should be about is class. The working classes should be learning from this and rising up off their backsides and getting involved. The cherry, on the icing on the cake of this particular point would be the pictures of a certain Mr Dave Gilmour's son Charlie swinging from a Union Flag on the cenotaph that were plastered across the media last week. I don't think I'm speaking out of turn when i say I'm pretty sure this contemptuous little prick has never wanted for anything in his privileged twenty one years. Just how much do university fee hikes and funding cuts really affect the son of a multi-millionaire musician? I'd hazard a guess at absolutely fuck all.

His explanation for his actions was at best wishy-washy and at worst laughable..

‘I’ve got myself in a terrible scandal. I’m absolutely devastated by what I’ve done.I was just caught up in the excitement of the moment.’

Hang on a minute, isn't he supposed to be a young, thrusting University student who is enjoying the best education that (Daddy's) money can provide? Yet he appears to be so wrapped up in a bubble of upper class poncery that he decided that these actions were 'excitement'. He's meant to be the cream of this country, yet in one fell swoop he's dissipated every last shred of acceptance and empathy the working class man in the street had for his and his fellow protesters cause and all the long held suspicions held by the proletariat about their upper class masters come flooding out once again......and quite rightly so. The poster boy for the student protests has been outed as a disrespectful, idiot son of a millionaire rocker....good work everybody!

So where do they go now? Do they blindly turn up throw a few paint bombs, light a few half arsed bonfires, spray paint some 'edgy' graffiti and then moan about being 'kettled'? Or do they take a leaf out of the football casuals handbook of causing a spot of unrest and think on their feet by splitting into smaller groups and instead of concentrating on central London take their protests nationwide? Who knows, but without the backing of a large slice of the voting public ie; the working classes, their plea's for change will inevitably fall on deaf ears. If they played it smart and used the whole issue as a call to arms for the whole country to get off its arse and try and make a change then they would obviously garner far more widespread support in my opinion.

Whether they can put down their Kafka novels and their beginners guides to Bolshevism and realise this before the whole thing fizzles out is another matter. Let's hope they do get their act together because no matter what side of the political spectrum you come from every government needs to be told in no uncertain terms that the people are still here alive and kicking and still hold some form of power.

They may run the country but we'll riot if we want to.........in a very polite manner though.





Rob H